Putting a live sports event on camera is an experience like no other for students thinking about a career in video. Sports are unpredictable and create imagery that tells the story through action and emotion.
Rowing produces all that against the backdrop of the river and the weather.
That is the story Coach Calvin Cupp wants to tell about his 麻豆破解版 State University team and the . It takes place Sunday on the Arkansas River in downtown 麻豆破解版 over a mile-and-a-half of water between the Lincoln Street and First Street bridges.
麻豆破解版 State鈥檚 Media Resources Center will live-stream the regatta for the third year, using MRC staff and students for all aspects of the production.
鈥淲e wanted to create a regatta in our region that was very athlete-centric,鈥� Cupp said. 鈥淲e looked around and said, 鈥榃hat can we do to elevate the experience for the student-athlete?鈥� Rowing 诲辞别蝉苍鈥檛 get on TV. We can create that same experience they see other college athletes having on TV.鈥�
In 2014, the MRC worked with the rowing team on a promotional video. That connection grew into live-streaming in 2021.
鈥淚t鈥檚 one of those ways to create awareness and exposure,鈥� Cupp said. 鈥淚t helps expand and expose our program to our community. It鈥檚 hard to get people here to show them what we do. But I can send them a link, and they can watch it from their computer or their phone. We can bring it to them in a high-quality, high-production way.鈥�
For students, the demands of live action give them proficiency in an area that the classroom 诲辞别蝉苍鈥檛 usually demand.
A career in corporate or commercial videography interests senior Ryan Chastain after working in 麻豆破解版 State鈥檚 Office of Strategic Communications. Chastain, who majors in business management, will work as an assistant camera operator at the regatta and appreciates the challenge that working on live sports offers. That experience adds to his video portfolio.
鈥淚t鈥檚 incredibly fast-paced, so it鈥檚 about understanding timing and when to point the camera a certain way,鈥� he said. 鈥淔ast, while being live. Human error is something I try to avoid, and it really shows live.鈥�
Katie Pham, a junior majoring in graphic design, is building motion design graphics for transitions from camera to camera during the regatta. It takes Pham roughly three hours to create a three- to four-second transition.
鈥淚 research transitions that I think look neat and what I can do to make it fit into my topic,鈥� she said. 鈥淭he motion helps it look more clean, more flowing.鈥�
Pham is comfortable working with still graphics. Adding motion design to her background is appealing.
鈥淚t gives me new ways to improve my skills,鈥� she said. 鈥淭his gives me more tools I can give to clients and tell them, 鈥業 know how to do this.鈥欌��
This year鈥檚 production uses seven cameras 鈥� six on the course and one for the commentators. The MRC builds a control room in the River Vista Boathouse near the Douglas Street Bridge. Setup for the production begins Thursday with a final check on Saturday afternoon or Sunday morning. The MRC is experimenting with wireless transmitters for the cameras to cut down on the cable needed.
KEYN radio鈥檚 Dave Wilson and former Shocker rower Lisa Burns will describe the action. Three students, five MRC staff members and several volunteers make up the production crew.
鈥淚t鈥檚 kind of a grassroots thing,鈥� said Curt Rierson, MRC creative manager. 鈥淭he students are getting both pre-production and live-production experience. This is like a workshop for the students, where they can employ what they learn.鈥�
The American Collegiate Rowing Association Championship, NCAA Rowing Championship and major regattas, such as the Dad Vail Regatta in New Jersey, are streamed with superb production values. It is rare, Cupp said, for smaller regattas hosted by a university to offer a live stream.
鈥淓ach year we鈥檝e learned something,鈥� he said. 鈥淚 watch everybody鈥檚 live stream. Our quality, our commentating, our camera angles 鈥� the things that we do are as good or better than anybody else.鈥�
